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Moreover, this Hamlet is based less in theater than it is on other film genres the film noir and the ghost story. The sheer motion and momentum keeps it from feeling like a play. He rarely wastes time on simple close-ups, however tempting that may have been. He moves the camera around the room, getting a feel for the space and the physical relationships. Olivier lets many scenes play out without cutting (or without seeming to cut). The camera creeps through the gloomy castle walls, climbing up staircases, and going in and out of windows. There’s no break or breather in-between it’s not content to stop and pat itself on the back for getting through a scene. The movie flows absolutely seamlessly from scene to scene. This is the most poetic and lyrical version of the play bringing the beautiful verse to life without becoming too bogged down to understand. Every single member of the cast is inspired, led by Olivier in the greatest role of his life.
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This 1948 version is easily the most fluid of all versions. ” Acting aside, though, Olivier’s direction of the film is inspired.
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The omniscient director intones that we are about to see the story of “a man who could not make up his mind. The opening shots of swirling fog over an ancient castle set the mood this Hamlet is of a tradition almost forgotten in our post-modern need to outfit pre-modern texts in more contemporary trappings. Olivier himself is very bright and intense, with a haunted look. Olivier has shortened the play from 4 hours to 2 hours 35 minutes by drastically abridging Shakespeare’s text, even though this involved the cutting of significant characters (for example, Fortinbras, Rosencrantz, and Guildenstern) and the elimination of important story elements (for example, Denmark’s conflict with Norway and the rebellion led by Laertes). The dialog is clearly delivered, which is absolutely essential when it comes to presenting Shakespeare. The look of this film is decidedly black, with deep shadows, fog, and an overall gothic feel that evokes notions of darkness, haunted evenings at a castle by the sea. 33:1 aspect ratio, and is photographed in glorious black-and-white. Olivier has complete artistic control over every aspect of his version of “Hamlet”, including casting, screenplay, sets, costumes, editing, and music, and of course he directs and played the title role. Almereyda’s slimmed-down, updated version of the Shakespearian tragedy with Hawke in the title role is stylish, funny, and smart but only up to a point. The visuals are spectacular and relevant while the dialogue seems to be from another planet. The old-style English dialogue and the new visuals do not make for a coherent film. Even in some very beautifully mannered scenes, there is a note of clumsiness indicating something is missing or doesn’t match about this far-reaching production that borders on sentimental giddiness. Despite critical acclaim, this version of Hamlet is unsuccessful during its brief theatrical run. Here is the stylish Hamlet, the modern take of a timeless story with a backdrop of high art.ĭirector and screenplay adaptor Almereyda has taken Shakespeare’s great tale of revenge, procrastination and mortality, and placed it in today’s slacker world. The director takes a modern approach, retelling Shakespeare’s classic 400 year-old play in New York City. In the year 2000, directed by Michael Almereyda, the newest version of Hamlet was released in theatres, this time starring popular actors Ethan Hawke and Julia Stiles, and set in the present day. It has been accorded numerous honors, including four 1948 Academy Awards: Best Picture, Actor, Art Direction-Set Direction, and Costume Design. The Olivier version is a story as merely the centerpiece in front of a roving camera. This often depends on the director’s point of view as well as the casting director, the 1948 Laurence Olivier’s black-and-white version of Hamlet starting Laurence Olivier and Eileen Herlie, is a classic film that is generally considered to be one of the greatest movies of all time. Often, when a movie is adapted from a play, there are several aspects which are adjusted or completely lost. Hamlet William Shakespeare’s Hamlet has been filmed and performed on stage numerous times.